COSTUME DESIGN

Writing, Music + Lyrics - Toby Marlow + Lucy Moss

Direction - Lucy Moss + Jamie Armitage

Choreography - Carrie - Anne Ingrouille

Set Design - Emma Bailey

Lighting Design - Tim Deiling

Sound Design - Paul Gatehouse

Photography - Joan Marcus, Pamela Raith + Bryan Derballa (New York Times)

Broadway, West End, Australia, UK Tour, US Tour, Holland, South Korea + NCL 2018 - Present

Tony Award, Outer Critics Circle Award + Drama Desk Award for Best Costume Design of a Musical 2022.

Off West End Award for Best Costume Design 2019

Olivier Award + Whatsonstage Award nominations for Best Costume Design 2019.

Gabriella Slade’s dazzling costumes also bring bling, wit and character detail (and sly icon and historical references) to each of these wonder women as they strut around a concert-court set.

Variety

The six wives of that serial philanderer and occasional collector of heads, King Henry VIII, have gathered (in stunning, tricked-out get-ups by Gabriella Slade)

The Washington Post

As their backing band, the Ladies in Waiting, vamps, the sextet struts out in Gabriella Slade’s costumes, one part Tudor, one part Tina Turner in Mad Max Beyond Thunderdome, with panniers over hot pants, vinyl stomachers studded with spikes, and boots that could kick 16th-century England right in the seat of Mars.

Vulture

Gabriella Slade's glam outfits are sparkling, jewel-encrusted multi-signifiers: both midriff-baring sexy, but also sharp and stiff like armor; these doomed damsels are going to war.

Observer

Cleverly, the creators used real-life models for their Tudor divas. which gave the gifted costumer designer, Gabriella Slade, an eye-popping palette.

Chicago Tribune

Six brings together a sextet of badass queens—clad in brilliant chain-trimmed corsets, studded black boots, and spiky crown-like headpieces designed by Gabriella Slade.

New York Stage Review

In Gabriella Slade’s dazzling costumes girl group Six look like a Tudor Little Mix.

The Stage

Dressed to kill in punkish variants of period dress, the sextet display a Spice-Girls slick-ness as they strut synchronise their moves.

The Telegraph

Or doublet and fishnet-hose, as the case may be here; Gabriella Slade’s spangly costumes made my teeth hurt, but they are a spot-on synthesis of stadium pop princess and Tudor court.

Timeout

Here they are, dressed in Gabriella Slade's sci-fi pop costumes which echo the corsets and ruffs of the Tudor period, and ready to compete for the crown of who had it worst when married to his majesty.

WhatsonStage