set + costume design
director | Michael Fentiman
lighting | Elliot Griggs
sound | Max Pappenheim
photography | Darren Bell + Alex Harvey-Brown
Park Theatre + The Watermill Theatre 2017
Gabriella Slade's sleek black design, with its high stained glass windows and illuminated crosses, mocks the insincere religiosity of the McLeavy family by making it look as if, to be on the safe side, they have had one of their rooms converted into a Catholic chapel of rest.
Gabriella Slade’s glistening, crucifix-adorned set mirrors the play’s pitch-black tone – the economy of design gives plenty of room for debauched capers in which eyeballs, false teeth and all human dignity go flying.